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AssassinвЂ™s Creed: Freedom CryД¬ry of freedom вЂ“ based on a story AssassinвЂ™s Creed IV: Black FlagвЂ¦ It was not characteristic of the series, because it was not about the struggle of the Templars with the assassins, but about slavery. Therefore, Derivier prefers to join the project at an early stage, when the developers dive into prototypes and think about the mood and intonation. To achieve this effect, you need an excellent understanding of the game. It is through the gameplay that the player receives the main emotions of the game, which means that the music should enhance the experience of the gameplay. as the plot progresses.Дerivier is sure that the main task of the soundtrack is to support not so much the plot as the gameplay. Therefore, many situations in the game have a unique soundtrack (for example, increasing chants during a car chase, culminating in a jump over an abyss), and the melodies of the characters develop as they go. Soundtrack Alone in the dark was written in parts: the choir sang a cappella, after which Derivier linked the voices of the Mystery to his own music.ДЄlready there Alone in the dark the musician adheres to his main principles: the soundtrack should be closely linked to what is happening on the screen and be repeated as infrequently as possible. Here the pretentious sound of Hollywood is perfectly complemented by the вЂњMystery of the Bulgarian VoicesвЂќ вЂ“ the Bulgarian Radio and Television State WomenвЂ™s Choir. But the power of the voices was felt much brighter in the composerвЂ™s next work вЂ“ Alone in the dark 2008 year. The passion for parts with the voice is already being felt in the FrenchmanвЂ™s first major project вЂ“ the horror soundtrack Obscure, where the childrenвЂ™s choir of the Paris Opera sounded. It is the most natural, the most human and the most understandable. Alone in the darkДЄccording to Derivier, the best musical instrument is the voice.

His first official project was one of the parts of a racing simulator Rally championshipвЂ¦ДЄnd then the experiments went.

Therefore, Derivier went to work in video games, not in films.

But then music in games remained primitive вЂ“ it seemed that the profession of the composer in the cinema was much more promising and in demand.ДЇortunately, at the turn of the 20th and 21st centuries, music in electronic entertainment began to evolve rapidly. At the same time, Derivier has always loved video games: his first encounter with the media was Vein runner on Commodore 64, and later Shadow of the beast on the Amiga, he realized he wanted to compose tunes for the pixels of the screen. But you certainly shouldnвЂ™t miss DerivierвЂ™s work вЂ“ few people care so much about the interactivity of music in video games.Дerivier studied music from the age of five and received a classical French education. On the popularity list, Frenchman Olivier DeriviГЁre is unlikely to even make it into the top ten, largely because his music is most often played in yellow zone Metacritic pass-through matches. If you ask average gamers to name famous game composers, they will surely think of Mick Gordon, Akira Yamaoka, or, say, Jesper Kyd.

For example, you can listen to songs without restrictions in Yandex.Music and watch thousands of movies and TV series on KinoPoisk. Yandex.Plus includes many convenient and convenient services.

WeвЂ™ve got a bunch of cool music content for you: podcasts, videos and even a chance to get an exclusive feed, where the authors of will guess the tunes!Д«est of all вЂ“ 90 days of Yandex.Plus with promo code LOST. This material is part of our special LOST OST project with Yandex.Music. In the head of an unknown genius вЂ“ like Olivier Derivier writes music

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